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Title
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None |
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Date |
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[Black ink, 1v:] 14 Juni 1901 |
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Calligraphy |
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Mahler: black ink, pencil |
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Paper |
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18 staves, J.E. & Cọ
/ Nọ 18 / 18 linig, oblong format,
watermark: J. E. & Cọ
[runs horizontally at the foot
of both folios],
263 x 341 (r=223) |
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Manuscript structure and collation |
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1 bifolio (folio 2 has been torn and
about a quarter of the fore edge side of the sheet is missing. |
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1r |
bb. 2–48 |
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1v |
bb. 48a–66 |
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2r |
Blank |
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2v |
Blank |
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Provenance |
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This sketch was
presumably one of those mentioned by Bauer-Lechner (NBL2,
195):
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Als Zeichen unseren besten
Übereinstimmung in dieser Ferien schenkte er mir die
Skizzen aller seiner heurigem Lieder. |
As a token of
our best rapport during this holiday he gave me the
sketches of all his recent songs.¹ |
It was listed in both
inventories of her collection of Mahler manuscripts prepared
after her death in 1921 (Inv. I,
III/6; Inv.
II, 7); purchased
from V.A. Heck in May 1929.² |
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Facsimiles |
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Complete
online colour facsimile; complete b&w facsimile:
RSGMWI, 44–45 |
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Select Bibliography |
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SWXIII/3, Sk,
p. vi;
SWXIV/3,
Sk, p. vi;
HDGM,
60–65;
CMMW2,
75–100;
RSGMWI, no. 14, 42 |
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Notes |
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This manuscript was
described in Inv. I, item
III/6 as consisting of a single leaf (two pages): this
is uncharacteristic of the compiler's normal practice which
appears to have been to identify bifolios correctly as
Doppelblätter.
This is a typical composition draft, with numerous
indications of instrumentation in both ink and pencil,
several layers of correction. The song at this stage
lacked its first bar.
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