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Sieben Lieder,
No. 5
„Ich bin der Welt abhanden gekommen‟ – S5h
US-NYpm
Cary 51
Sieben Lieder
– Manuscript sources
Sieben Lieder – main page
Catalogue Homepage
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1 |
Here, as elsewhere in such descriptions, small numerals are used to
identify the staves used; additionally, alphabetical suffixes are used
to indicate bars not used in the final version (e.g. b. 27a) |
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2 |
During the vacation they had briefly resumed
their physical relationship (GKIB,
22). |
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3 |
The other 1901 song sketches included in the
inventories were:
• Ich armer
Tambourg'sell.
Sieben Lieder
S2
• Ich atmet'
einen linden Duft. Sieben Lieder
S4
• 'Blicke mir
nicht in die Lieder'. Sieben Lieder
SS3m
• 'Wenn dein
Mütterlein'. Kindertotenlieder [S1]
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Title
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None |
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Date |
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[6 June–15 August 1901] |
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Calligraphy |
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Ink; non-autograph pencil
annotation on 1r: A |
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Paper |
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20 staves, J.E. & Cọ
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No. 12ª / 20 linig., oblong format,
watermark: j.e. & co. / wien, 264 x 344 (r=223½) |
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Manuscript structure and collation |
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1 fol.:¹ |
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1r1–3 |
bb. 24–7; 27a; 28–32 |
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1r10–15 |
bb. 32a; 32–38;38a–b; 38–39 |
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1r19–20 |
sketches related to b. 28 and bb.
10c–d |
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Provenance |
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This sketch may
have been one of those mentioned by Bauer-Lechner (NBL2,
195):
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Als Zeichen unseren besten
Übereinstimmung in dieser Ferien schenkte er mir die
Skizzen aller seiner heurigem Lieder. |
As a token of
our best rapport during this holiday he gave me the
sketches of all his recent songs.² |
However, neither it nor a more extended sketch (SS51)
were listed either of the two
inventories of her collection of Mahler manuscripts prepared
after her death in 1921.³
The manuscript was purchased in c. 1947–9 from International Autographs (New
York) by Mary Flagler Cary (1901–1967) and was donated in 1968 to the
Morgan Library and Museum by the trustees of the
Mary Flagler Cary Charitable Trust. |
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Facsimiles |
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Online colour facsimile;
GMIBW, 78–9 |
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Select Bibliography |
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MFCMC, p. 32;
SHCoI;
SHGoI;
SWXIII/4,
Sk (erste Skizze), xv;
SWXIV/4,
Sk (erste Skizze), xv |
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Notes |
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The dating offered here is framed by Mahler's
arrival in Maiernigg (5 June) and the
autograph date (16 August 1901) at the end of
SS5h2.
The rhythmic notation is frequently in
note-values double those of the final version. The annotator
erroneously believed that this sketch was continued on
SS5h1, fol. 2v. The dating offered here
is framed by Mahler's arrival in Maiernigg (5 June) and the
autograph date (16 August 1901) at the end of
SS5h2. |
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