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Title
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[Autograph, ink, fol. 1r]: Nro
3. |
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Date |
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[?March-October 1895] |
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Calligraphy |
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Black ink, hand-drawn bar
lines, annotations and revisions in pencil, red crayon and blue
crayon |
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Paper |
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24 staves, no maker's
mark, upright format, 325 x 253 (r =
306) |
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Manuscript structure and collation |
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Fol. [1r] = bb. 1–18;
[1v] = blank except for note in blue crayon: 5 Min
¾9 |
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Provenance |
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Presumably the manuscript's early history
is the same as for
AF2: Alma Mahler, 1911 (as
part of the composer's estate); gift to Willem Mengelberg, 1920;
Willem Mengelberg Stichting, Amsterdam, 1951 (after Mengelberg's
death; deposited in N-DHgm in 1982) |
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Facsimiles |
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None located |
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Select Bibliography |
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RSVTP, 10–20;
NKGII.2,
34, 124 (source Suppl.-3) |
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Notes |
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This Einlage, which contains an expanded introduction
for timpani, replaces the opening bars of the movement in
ACF1 and was used by Weidig when copying
ACF2
(see the description of the autograph timpani
part (AO)
for the details and conjectural chronology of this complex
revision process). It could have been prepared at any time after
the creation of AO (i.e. January or February 1895) and before the
copying of
ACF2
(sometime March–October 1895). |
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