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				| Title |  
				|  | [1. Satz] |  
				| Date |  
				|  | [at end:] 8.8.888. |  
				| Calligraphy |  
				|  | Ink |  
				| Paper |  
				|  | 16 staves, no maker's 
				mark, oblong format, watermark not recorded, 253 x 329 
				(r=206), grey stave linesš |  
				| Manuscript 
				structure and collation |  
				|  | 12 fol. in 6 stacked bifolia, 
				numbered  by Mahler 510 (the first four bifolios are 
				missing): see the notes below. |  
				|  | For details of make-up and 
				collation, use the hyperlink at the left of this page |  
				| Provenance |  
				|  | Ex coll. Natalie Bauer-Lechner (Inv. I,
				
				II; Inv.
				II, 2); 
				passed from her heirs to V.A. Heck (autograph dealer), and 
				subsequently acquired by Stefan Zweig˛ who 
				presented the manuscript to IL-J in February 1934ł (OMIK, 
				375;
				ASSZC, 
				65). |  
				| Facsimiles |  
				|  | 1r:
				SHMMT, 
				II, 522 |  
				| Select 
				Bibliography |  
				|  | SHMMT passim including a complete transcription in 
				short score: III, 3641;
				ERDS, passim; 
				
				HLG1, 
				18183; 
				HLG1F, 1016;
				OMIK, 
				375, no. 894 |  
				| Notes |  
				|  | 
				Mahler appears to have worked on this draft while staying in or 
				near Iglau during the difficult summer of 1888, between his 
				resignation from Leipzig (17 April) and the start of his brief 
				engagement in Prague during the first couple of weeks of August 
				1888, where he was preparing and conducting Die drei Pintos, 
				and rehearsing Der Barbier von Bagdad. 
				This manuscript has not been examined, although the complete photocopy A-Wigmg 
				(Ph 72) has been consulted.⁴ When in June 2008 Dr Avior Byron 
				kindly visited IL-J to check the manuscript description 
				he reported that: 
				 
					a) all the bifolios that were intact at the 
				time of Hefling's description (1985; see the
					fascicle structure) had been separated into single sheets;b) bifolio '9' (i.e. fol. 9, 10) and fol. 12 could not be 
				located;
 c) numerous pencil annotations 
				(identifying the contents of each page) have been added by a 
				member of the library staff.
 
				Reilly suggests that
				
				S1.1 (also at IL-J) originally formed a 
				wrapper for this draft score, although it is on upright (rather 
				than oblong) format paper. |  
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