The MGM logo: a hand-drawn cartoon of Mahler at the podium, glaring at the audience

Main heading: The Music of Gustav Mahler: A Catalogue of Manuscript and Printed Sources [rule] Paul Banks

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Acknowledgments

 

This project would not have been possible without the help and support of the British Academy, whose research grant in 1989 enabled me to make the first of my research trips to examine manuscripts and printed editions; of my colleagues at the three institutions at which I've worked, Goldsmiths' College, the Britten-Pears Library and the Royal College of Music, from whom I learned a great deal; of many friends in the International Association of Music Librarians; and of many colleagues around the world, and in particular

 

Thomas Aigner (Musiksammlung, Wienbibliothek)

Professor Ian Bent

Dr Otto Biba (Gesellschaft der Musikfreunde, Wien)

Ao.Univ.Prof.i.R. Dr. Max Bichler (Wien)

Michael Bosworth

Elisabeth Briefer (Abteilung Wissenschaftliche Information, Österreichische Nationalbibliothek)

Dr Avior Byron (Tel Aviv)

Daniel Dorff (Theodore Presser Company)

Dr. Gila Flam (Music and Sound Archives, The Jewish National and University Library)

Angelika Glatz (Universal Edition)

Rik Henriks (Nederlands Muziek Instituut)

D.J. Hoeck (Northwestern University)

Dr Kathryn James (Beinecke Rare Book and Manuscript Library, Yale University)

Gilbert Kaplan (New York)

Professor Christian Kluttig (Dresden)

Margit Klutsch (Tonhalle-Orchester, Zürich)

Dr Bob Kosovsky (The New York Public Library for the Performing Arts)

Ronald Kornfeil (Universal Edition)

Dr Reinhold Kubik (Internationale Gustav Mahler Gesellschaft)

Arndt Joosten (Philharmonie, Baden-Baden)

Henry-Louis de La Grange

Dr Thomas Leibnitz (Musiksammlung, Oesterreichische Nationalbibliothek)

Knud Martner (Copenhagen)

 

Jerry McBride (Music Library & Archive of Recorded Sound, Stanford University)

Dr Simon McGuire (Sotheby's, London)

Dr Donald Mitchell (London)

Paul van Nieuwkerk (Den Haag)

Kapellmeister Reinhold Nowotny (Vienna)

Mdme Alena Parthonnaud (Médiathèque Musicale Mahler)

Professor Robert Pascall (Bangor University)

Lisa Philpott (Music Library, University of Western Ontario)

Dr Alice Prohaska

Pablo Sanchez-Quinteiro (Spanish Mahler Society)

Professor Edward Reilly (†Vassar College)

Dr Rupert Ridgewell (British Library)

Karen Robson (Hartley Library, University of Southampton)

Dagmar Rumpf (Stadtmuseum und Archiv, Baden-Baden)

Philip Shields (Royal Irish Academy of Music)

Martin Sima (Doblinger Verlag)

Nigel Simeone

Jasmine Simeone

Dr Renate Stark-Voit (Vienna)

Heinz Stolba (Universal Edition)

Erwin Strouhal (Universität für Musik und darstellende Kunst, Wien)

Robert Threlfall (†London)

Rigby Turner (formerly Pierpont Morgan Library)

Professor John Tyrrell

Emily Worthington (London)

Timothy Young (Beinecke Rare Book and Manuscript Library, Yale University)

Dr Frits Zwart (Nederlands Muziek Instituut)

 

And last, but certainly not least, Chris Banks (Director of Library Services, Imperial College, London), my companion and support on this long research trip, without whom it would certainly have been less fun.

 

Paul Banks

2015
 
 

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© 2007-14 Paul Banks  |  This page was lasted edited on 08 August 2017