This site is 'work in progress'. From 2007Ė2014 the original, incomplete site, was hosted by the Royal College of Music and maintained by the College's Centre for Performance History. When this was closed in 2014 the pages remained available until they were taken down in 2015. At the time a thorough revision was in progress and this page is part of a test version for the new site. At present some links from this page will not work, and many pages may be incomplete, unrevised or unavailable. At present the entries currently being worked on are:
Apart from some changes to layout and typography, the most significant update among the revised pages already uploaded is the the list of early performances of the First Symphony which has been substantially revised in the light of recent research findings.
In view of the fluid status of the pages currently available it should be noted that the footer to each page records the date of its most recent revision.
This catalogue lists all surviving manuscript sources and presents full bibliographic descriptions of the early printed sources: all those that appeared during the composerís lifetime, and first or other important editions that appeared after his death. This information is accompanied by lists of performances during Mahlerís lifetime, brief details of historically significant recordings and supplementary essays.
The aim of this project is to
The Catalogue does not seek to offer a detailed account of the creative processes of which these sources are the main, yet tantalisingly imperfect witnesses: that is another complex task.
This first phase presents information about the sources for a pair of works: the first two symphonies. These offer a valuable challenge to the potential cataloguer. The sources are numerous, but several important documents are either lost or have not been located. The interconnections between sources are often complex and potentially confusing, perhaps in part because in these works Mahler is learning not merely the art of composing symphonies, but also the practical and professional skills needed, forging a working method that will form the basis of the rest of his creative career.
In addition to the source descriptions this phase also includes extended narrative accounts of four publishers and their involvement with the dissemination of Mahlerís music: Josef Eberle & Co./Erste Wiener Zeitungs-Gesellschaft (Vienna), Friedrich Hofmeister (Leipzig), Universal Edition (Vienna) and Josef Weinberger (Vienna and Leipzig). The period covered encompasses the lead up to the formation of Universal Edition, its early years, and the first years of Emil Hertzka's leadership of this business. This was a period of change in the close-knit world of Viennese music publishing, and one which played a significant impact on the dissemination of new music in the twentieth century.
© 2007-14 Paul Banks | This page was lasted edited on 31 May 2017